Análisis del concepto de metáfora de Elena Oliveras, en la construcción de la secuencia de movimientos desde el minuto 22:00 hasta el minuto 25:20 del monólogo de la obra En Medio de la Frente

Abstract

This research focuses on a thorough analysis of the metaphorical concept proposed by Elena Oliveras and its influence on the creation of a specific sequence of movements in the monologue of the theatrical work "En medio de la Frente," directed by Rocío Pérez. This sequence of movements extends from the 22:00 to the 25:20 minute mark of the play, emphasizing the artistic representation of conceptual and emotional elements through choreographic and dramatic interaction. The play "En medio de la Frente," presented in the former medical school building of the University of Cuenca, explores the connection between the body, the stage space, and metaphor through a particular scene ; during the discussed sequence, a prominent wooden box on the stage becomes a pivotal element, symbolizing a barrier of social stereotypes and personal challenges that the protagonist must confront. The analysis focuses on the process in which the actress interacts with the box, opening it to reveal its inner content. The symbolism embodies the protagonist's internal and social struggle against adversities experienced by death of her son