La narración de la distopía a través del sonido en el cortometraje post-apocalíptico: el viaje

Abstract

The present investigation proposes the narrative of the cultural concept Distopía, through the components of the soundtrack of the post-apocalyptic short film El Viaje; for this, it refers on the one hand to the theoretical revision of sound design in science fiction films; and on the other, to the description of the sound-narrative elements of two post-apocalyptic film works, establishing in this way: the process of design, creation and fixation of the acoustic signs, in relation to the sequence of post-apocalyptic images.