Análisis e integración de principios relativistas de tiempo y curvas de Bézier en la composición electroacústica “parciales relativos”

Abstract

This work delves into the detailed study of the contemporary electroacoustic composition "Relative Partials," created by composer Carlos Hernández. It reveals an innovative approach that blends relativistic principles of time with the application of Bézier curves. This piece stands out not only for its uniqueness but also for introducing new expressive possibilities by altering the temporal perception in the auditory experience. The creative choice to incorporate Bézier curves serves as a specific mathematical tool for precisely controlling timbral density in the composition. This integration of mathematical principles unveils a connection between mathematical abstraction and artistic expression, directly influencing sound quality, musical structure, and the overall perception of the work. The work emphasizes the importance of multidisciplinarity by utilizing aesthetic and technical resources, managing specialized software such as Ableton Live, Pure Data, and Spear. This holistic approach underscores the need for diversified skills in the realm of contemporary electroacoustic music, where technology and theory intertwine to create unique auditory experiences. The composition "Relative Partials" emerges as an innovative electroacoustic musical piece that converges musical creativity, physical theory, and the practical application of mathematical tools in the context of contemporary composition. It highlights the richness and complexity of the intersection between science and sonic art.