Instalación performática: las vivencias escriben

Abstract

In this thesis, a performative installation is created from the performing arts, which provides the viewer with a unique sensory experience; spectator-guest to tour a physical capsule that generates an individual encounter of self-introspection. The materials and languages used trace a multidisciplinarity by fostering diverse atmospheres that aim to metaphorize the feeling of a creative woman in the 21st century, where patriarchy is still presented as the social and cultural organizer; From this new proposal emerges a sensitivity towards the outside world, leaving behind a tired female body full of rage, to enter into a mystical understanding of this great center of energy, motivating us to question radical positions, to assume and position women as a source. mystique and center of uterine power. In interventions in public squares, transformed bodies are presented that generate symbiosis; After training, she understands her center as a generator of energy, develops movements that revive that woman, a body that is reborn to fly and leaves behind the fatigued body, tired of stereotypes and norms that discover their own truth. The performative installation is forged to provide a new experience of senses to the user-guest-spectator, forming an encounter with himself: a physical and mental reading in his conscious and subconscious, through the experience accompanied by different elements (audios, images, paintings , colors, videos, flavors and textures in space-time). The scenic installation proposes to the viewer a space-time that freely smells like a woman, that sounds and tastes like a woman, that looks and feels like a woman