La composición coreográfica mediante el uso del análisis de movimiento de Rudolf von Laban aplicado a la creación coreográfica desde la relación con un objeto escénico, para la construcción metafórico-representacional de una estructura social restrictiva

Abstract

The present curricular integration work analyzes, from a perspective of praxis and in connection with theoretical concepts and methodologies of scenic creation and composition, the dramaturgical construction of the scenic creation exercise El bucle... jamás termina. Starting from the study of the physical characteristics of a particular object, and the way of producing from this object a metaphorical sense about rigid and limiting social structures of the human being and their construction of identity and belonging, we sought to produce an organization of bodily, choreographic, and scenic elements that constitute a dramaturgical structure that contains and organizes both the materials produced by the performing creators and the director's perspective, with the aim of creating a scenic discourse. For this purpose, methodologies of bodily study and creation such as Laban's Movement Analysis were used, particularly the concept of kinesphere and the movement qualities proposed by Rudolf Von Laban, as well as a scenic approach to the use of the object and its symbolic and theatrical capacity.