Producción de dos temas de punk – rock con base en la década del 2000

Abstract

Over time, music production has undergone a transformation that began with tape recordings and has now been revolutionized by modern technological tools. This has led to the globalization of the music production space, where not only producers but also independent musicians can create semi-professional recordings in their home studios using tools such as DAWs, plugins, and VSTs. As a result, a music producer not only needs extensive knowledge of sound recording and post-production but also professional expertise in DAWs, compositions, analog equipment, and workflow management to ensure a professional outcome. The present work encompasses the production process, starting with the necessary understanding of the punk-rock genre, including its history and evolution in both rock and punk, up to the fusion of these genres, which reached their peak in the 2000s. Subsequently, the individual characteristics of punk and rock are analyzed, employing the semiotic analysis methodology of musicologist Philip Tagg. This approach allows for an analysis of popular music that emphasizes the importance of expression and perception parameters. Existing song structures in this genre are compared with unpublished songs to facilitate production and post-production. The equipment, microphones, and workflow employed to complete these tracks are detailed.