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dc.contributor.advisorTigre Astudillo, David Ulises-
dc.contributor.authorCevallos Larriva, Juan Mateo-
dc.date.accessioned2023-03-20T16:25:47Z-
dc.date.available2023-03-20T16:25:47Z-
dc.date.issued2023-03-17-
dc.identifier.urihttp://dspace.ucuenca.edu.ec/handle/123456789/41490-
dc.descriptionThe yaraví is one of the most emblematic and typical genres of Ecuador. This degree work has as an objective the realization of scores to highlight the musical cultural identity through a mixture between the modern, as the electric bass and the own as the yaraví, analyzing in depth each specific characteristic of the yaraví as the metric, structure, technique of interpretation in electric bass; in addition to a deep analysis of each arrangement of electric bass duet. The first chapter deals with the generalities of the yaraví, its history, meter, tempo and structure, presenting a section of Ecuadorian yaravíes, exemplifying its importance and exposing the most important of the genre. Subsequently, the yaravíes Puñales and Momentos de tristura are analyzed. The selection of these themes is a critical point in this work, each arrangement will work with a different instrumentation and this allows to have a variety of sonorities that we tried to preserve in the arrangements for electric bass. Puñales has only two guitars and vocals. Momentos de tristura, on the other hand, has two guitars, violin, piano and vocals. For the first piece, a piano score by Fidel Pablo Guerrero was recorded, from which musical resources were extracted and used in chapter 2 in the electric bass duet arrangement. In the yaraví, Momentos de tristura, a different way of analysis was used, because an audio was extracted from the recording of Momentos de tristura by the duo Benítez y Valencia.en_US
dc.description.abstractThe yaraví is one of the most emblematic and typical genres of Ecuador. This degree work has as an objective the realization of scores to highlight the musical cultural identity through a mixture between the modern, as the electric bass and the own as the yaraví, analyzing in depth each specific characteristic of the yaraví as the metric, structure, technique of interpretation in electric bass; in addition to a deep analysis of each arrangement of electric bass duet. The first chapter deals with the generalities of the yaraví, its history, meter, tempo and structure, presenting a section of Ecuadorian yaravíes, exemplifying its importance and exposing the most important of the genre. Subsequently, the yaravíes Puñales and Momentos de tristura are analyzed. The selection of these themes is a critical point in this work, each arrangement will work with a different instrumentation and this allows to have a variety of sonorities that we tried to preserve in the arrangements for electric bass. Puñales has only two guitars and vocals. Momentos de tristura, on the other hand, has two guitars, violin, piano and vocals. For the first piece, a piano score by Fidel Pablo Guerrero was recorded, from which musical resources were extracted and used in chapter 2 in the electric bass duet arrangement. In the yaraví, Momentos de tristura, a different way of analysis was used, because an audio was extracted from the recording of Momentos de tristura by the duo Benítez y Valencia.en_US
dc.description.uri0009-0001-4264-1602en_US
dc.formatapplication/pdfen_US
dc.format.extent66 páginasen_US
dc.language.isospaen_US
dc.publisherUniversidad de Cuencaen_US
dc.relation.ispartofseriesTMUS;205-
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectArtes Musicalesen_US
dc.subjectCreaciones artísticasen_US
dc.subjectCulturasen_US
dc.subject.otherMúsica contemporáneaen_US
dc.titleArreglos de dos yaravíes ecuatorianos con técnicas modernas para dúo de bajos eléctricosen_US
dc.typebachelorThesisen_US
dc.description.degreeLicenciado en Instrucción Musicalen_US
dc.description.cityCuencaen_US
dc.ucuenca.areaconocimientounescoamplio62 Ciencias de las Artes y las Letrasen_US
dc.ucuenca.afiliacion10en_US
dc.ucuenca.areaconocimientounescoespecifico6203 Teoría, Análisis y Critica de las Bellas Artesen_US
dc.ucuenca.areaconocimientounescodetallado6203.06 Música, Musicologíaen_US
dc.rights.accessRightsopenAccessen_US
dc.ucuenca.responsablerecepcionTorres Lescano Jessica Pamelaen_US
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