Construcción de partituras corporales a partir del concepto metáfora de Elena Oliveras y el concepto cuerpo archivo de Ileana Diéguez, para la sistematización del ejercicio escénico Ruptura

Abstract

In the present degree work, the systematization of the process of creating the construction of body scores of the scenic exercise "Ruptura" will be addressed from the metaphor concept of Oliveras and the concept of the body archive of Diéguez. This, with the aim of identifying, systematizing, analyzing and reflecting on said exercise and thus being able to have a basic structure of a creative process that can be used in subsequent stage works. In order to carry out the systematization, a theoretical investigation of the practical part has been deepened to detail, in this sense, the documentation and records of the process have been collected and accumulated practice that come from personal diaries and visual files to later organize and describe the creative process followed by an analysis and reflection of the concepts used andapplied to the practical procedure. The central axis of this research is based on the idea ofthe body as a container of experiences and archive of sensitive memories that can be translated into movement from the metaphor tool, for which the body must be in an organic state, present and therefore pre-expressive. The question that is going to be developed in thisresearch from the creative process is: How, from the concept Metaphor by Oliveras and the concept Cuerpo archivo by Diéguez, build a body score for the systematization of scenic exercise “Ruptura”. The methodology to be used is of a qualitative, descriptive and exploratory nature that will help me to work on the study of the creative process.