Estudio del canto ritual Haway en las comunidades: Bayushí, Calpi Loma y Palacio Real de la parroquia Calpi-Chimborazo, en su contexto histórico y actual

Abstract

In the cultures of the world, art is essential for almost all of your daily activities; Mainly the music, sociocultural manifestation to where we focus our study, through the haway or ritual of the harvest, for being a legacy of the Puruhá culture, constituted by a sequence of songs, with structural diversity, thematic and functional; His wide repertoire reflects the ancestral wisdom, ideology and idiosyncrasy of the peoples of this Andean zone, although after the Inca invasion and later the spanish, many celebrations, rituals and ethnic songs were lost or modified. The present work is a study that is framed in the field of the ethnomusicología about the haway ritual; Its objectives are: to document, transcribe and analyze the tradition of this demonstration in the communities: Bayushí San Vicente, Calpi Loma and Palacio Real of Calpi parish; Knowing their geographical and socio-cultural context, the antecedent of this cultural practice, as well as its current dynamics; And finally, to base the meanings that this tradition has for the social actors, that make possible that this practice subsists in spite of the acculturation, urban expansion and migration. Methodologically, it was based on an exploratory study and the bibliographical revision, afterwards the historical antecedents of the haway ritual were documented, in the geographical and socio-cultural context of this area through the historical and logical focus