Estética de la forma en la tercera sinfonía de Avet Terterian

Abstract

The article belongs to one of the results of the project "Theory of Form: theoretical and artistic strategies for overcoming the post-modern canon", research that has the endorsement of the Direction of Research of the University of Cuenca and the Faculty of Arts. From the general theory of the form of the aesthetic cannibal theory, is a hermeneutic musicological study of the Armenian composer Avet Terterian, taking as an example his Third Symphony, the work pioneered the Symphony of the 20th Century. Seen as modernity has fractured time and brought him to new speeds where alternative aesthetic manifestations have emerged as in the case of contemporary music. In the case of Terterian is a deep inner experience, to fall outside the chronological time constituting a "fracture of time" that demands the beginning of the impossible.