Análisis sobre el elemento de la memoria emotiva de Constantin Stanislavski para la sistematización de procedimientos de creación del personaje María la Guagua dentro del proyecto Cuenca en Cuentos del Colectivo Artístico Barojo

Abstract

The present investigative work addresses the construction of one of the historical figures of the city of Cuenca, in this case, María la Guagua, who is one of the representative figures of the locality. She belonged to the rural sphere and emigrated to the city of Cuenca in the 1970s, where she had to face the vicissitudes of that period for a rural woman. In this study, the character is constructed through dramaturgy and the use of the emotional memory element of Stanislavski's method. Within this framework, arduous work has been carried out to stage the play María la Guagua using theoretical premises of theater such as emotional memory and, above all, based on testimonies, interviews, analysis, rehearsals, among others, to consolidate a character based on the context of the society of the time