Exploraciones de los ritmos staccato y fluido de Gabrielle Roth para la construcción corporal del personaje Amarillo en el ejercicio escénico Vertebras amarillas

Abstract

This thesis explores the theoretical and practical process of the laboratory classes I, II and III, focusing on the construction of the corporeality of the character Amarillo from the stage show Vértebras Amarillas. It is based on the application of Gabrielle Roth's Staccato and Fluido rhythms. The research focuses on how these rhythms contribute to the creation of the corporeality and rhythm of the character, breaking with the conventional aesthetics of beauty. The central axis analyzes how the incorporation of Staccato and Fluido rhythms allows the creative performer to develop a grotesque corporeality. This aesthetic rupture makes it possible for the character Amarillo, through his movements and displacements in the scenic space, to expressively transmit the emotional charges he carries with him. Thus, the thesis highlights the importance of grotesque corporeality as a means to communicate the emotions of the character, offering new perspectives in the understanding and execution of stage performance