Revalorización del uso del marco en pinturas para armonizar apropiaciones pictóricas sobre la corporalidad femenina

Abstract

The present degree work is set to elaborate two works of expanded painting whose conceptual basis lies in the reflection of the use of frames in paintings; this being, generally, a normalized institutional requirement that dictates the correct way to dangle a canvas or a painting in a museographic way. However, the act of framing seems to be an imposition, rather than a tool that can expand the concepts in the art field. The inclusion of marquetry protects the painting, adds economic value, but has no connection to its pictorial content; which forces the canvaspainting relationship to remain in its field, hindering the possibility to collaborate and expand their creative approach towards other disciplines.