Epistemologías de la composición musical ecuatoriana

Abstract

This review proposes a brief reflection on the knowledge systems that have served as the basis for composing music in Ecuador since colonial times, starting with the imposition of powers of Western cultural domination, up to the insubordination of institutionalized experiences, by authors who have questioned the practices of the colonial power matrix, as Quijano calls it (2000), with the purpose of exercising an epistemological repair in the musical art and achieving their own aesthetics