La ventana como dispositivo de relación: propuesta de espacio ampliado en pintura

Abstract

The present research proposes a set of parameters for the production of artifacts as an alternative for spatial expansion in painting, which is understood as an area that is redefined beyond its materiality and support. The means presented for this purpose seek to evidence contemplation and exploration as active operations for the recognition of the aesthetic experience behind the languages and motives of an artistic work. We started from an experimental production that advances hand in hand with a bibliographic research on the window as an element and pictorial motive for the disposition of the observer to the study of reality captured under an aesthetic intention. The objects presented are the result of the exercise of the constructivist theory of creativity, evident by their formality, which invite the viewer to a more active inquiry and selection.