La evolución del orgánico instrumental constitutivo de la capilla Catedralicia Matriz de Cuenca en el siglo XIX

Abstract

The article makes an approximation to the instrumental organic constitutive of the cathedral chapel of Cuenca, Ecuador in the 19th century; based on unpublished sources from the archives of the Archdiocesan Curia. From the classification of Curt Sachs and Erich Moritz von Horbonste, the study deals with a description of the instruments used and their function within the institutional corpus, as well as trying to reconstruct the timbral event highlighting the originality of the cathedral chapel