Cantos Rodados: dispositivo escénico a partir de mecanismos rituales y teatrales que convocan a la memoria

Abstract

Cantos Rodados is a theatrical staging that is created from the research processes taught in the framework of the laboratory chairs of the last cycles of the Dance -Theater career at the University of Cuenca. The stage device is presented as a beast that allows the viewer to pass through different spaces: the mouth, the stomach and the regurgitation, all traversed by the liminal phenomenon between its components. This creation isbuilt from a process based on the crossing of the mechanisms of ritual and theatricality to configure a training that allows the researcher-creator to awaken a bodily state that summons her genealogical memory and from there configure characters and strategies to draw a scenic experience. which enables the activation of the spectator's memory and is materialized from a writing exercise, this being the cause of a constant configuration of the staging.