La dramaturgia de las manos como creadora de cuerpos ficticios

Abstract

This research is established in the Body and seeks to determine it’s physical and creative ways of creating present bodies, through the hands. An investigation that will advocate blurring the limits between the traditional idea of character in the light of Barba's proposal, both of the fictitious body and that of the actor-dancer, to which Eugenio Barba structures it as a series of magical yes, physical limits and Imaginaries, that condition the actor's body. In the creative process developed after this research, the dramaturgy of the hands is used as a research tool capable of establishing limits that allow the creation of a corporality, an expanded body but not a fictitious personality, instead of, a body capable of structuring and unstructuring in its evolution. Establishing a new perception against the idea of character. Fictional body also, approached by Paul Valery as the fourth real or imaginary body, which allows us to ask ourselves about the disappearance of the traditional concept of character.