Análisis del objeto en la obra ¨Clase muerta¨ de Tadeusz Kantor a partir de la noción texto espectacular de Patrice Pavis

Abstract

This research is based on the observation and investigation of the play La clase muerta, by the Polish artist Tadeusz Kantor, who is one of the fundamental figures of the contemporary turn of the theater. From the approach to this work an exhaustive work is done to reflect on the object on stage, on its use not as an element that creates a dramatic atmosphere, but is itself a trigger for a dramaturgy. From there, then, a reflection of the movement from textual dramaturgy to the dramaturgy of the live show or also called spectacular writing is achieved, which consists of configuring a narrative based on the conjunction of elements in space, a fundamental characteristic that Kantor works. Everything said, implementing the idea of Analysis of the Live Show, proposed by Patrice Pavis, who proposes to think about the scene in its weaving of elements in space.