Proceso de Interpretación gráfica de la poesía maldita con el uso de ilustración aplicando la teoría semiótica de Roland Barthes

Abstract

In this project an experimental method of decoding a text is displayed, in this case poetry to this decoding obtain an iconic message (illustration). This decoding is nothing more than the application of semiotics of Barthes, through languages and meta-object languages, ie languages that speak other languages. To get a clearer idea of this think of the drawing and painting as a language as such, and its metalanguage in this case would be the techniques and methods used to achieve these drawings or paintings. All these metalanguages are intrinsically related to the "signs" the sign being a duality: meaning and meaningful, this duality is very attached to each other, one who gives us a connotative message and the other a denotative message respectively. This application of semiotics is done on an experimental basis since the field of semiotics is mostly visual (image), language being written one of the most important, it has been considered for this project. Part of poetry belongs to the Spanish writer Leopoldo Maria Panero, considered one of the last damned poets, literary genre used for occult poets at some point for its time, which opposed the rules or statutes of his time, and a poetic rich in elements and generally decadent lives. This inter-disciplinary project will end result a series of 4 poems illustrated, these being previously selected for a brochure.